Photo: Zdenko Kolacio, Monument to the Insurgents, Abez forest (near Vrginmost, Croatia), 1966, Arhitektura – časopis za arhitekturu, urbanizam, dizajn i za primijenjenu umjetnost 155 (1975), 42.
Together with the Department of Art History of the Faculty of Arts, University of Ljubljana and the Igor Zabel Association for Culture and Theory we cordially invite you to attend a series of public lectures that are part of the Art for Collective Use Seminar.
This year Seminar is being organized under the title Monument, Performance, Ritual, Body and treats two distinctive art phenomena in Yugoslavia and its successor states: performance art and memorial monuments associated with World War II.
SCHEDULE (lectures will be held in English)
Stony Memory – Petrified Memory? World War II Memory and Monuments in Yugoslavia
Monday, 9 November 2015, at 12 pm, Faculty of Arts (343), Ljubljana
Monuments’ Biographies – The Case of Jasenovac
Monday, 9 November 2015, at 6 pm, Museum of Contemporary Art Metelkova, Seminar, Ljubljana
Genealogy of Form. Typology of the Monuments to People's Liberation Struggle, Revolution and the Labour Movement in Croatia
Tuesday, 10 November 2015, at 1 pm, Faculty of Arts (343), Ljubljana
The Meaning and Possibility of a Monument. The Artistic Production and Critical Reception of Monuments in Socialist Yugoslavia
Wednesday, 11 November 2015, at 6 pm, Museum of Contemporary Art Metelkova, Seminar, Ljubljana
The Making of the Communist Body: Politics of Representation and Spatialization of Power in the SFR Yugoslavia (1945-1991)
First Lecture: Body at Work
Monday, 16 November 2015, at 1 pm, Faculty of Arts (343), Ljubljana
Second Lecture: The Production of the Unknown Heroine
Tuesday, 17 November 2015, at 6 pm, Museum of Contemporary Art Metelkova, Seminar, Ljubljana